Happy Friday! My writing partner and I are teaming up to create short animated comedy bits to share with you each week. Click here to view the clip. In my NYU class, two of my students have completed a first draft in six weeks! Kudos to Aksana and Claire! The process that we use in the class is: 1.Write a treatment. The treatment is written using the structure discussed in my books, How to Write A Screenplay in 10 Weeks and the 4 Magic Questions of Screenwriting. The goal is to
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“Marilyn, It’s been an amazing year developing my script. Thank you for your mentorship and friendship.”
“Just wanted to say I read your book and think it’s terrific. You took a process that can seem overwhelming and made it very accessible. One of my favorite quotes is this: “If you can’t explain it simply, you don’t understand it well enough.” You really know your material and… Read more “Allison-Author 101 University”
“It is such an amazing ride to take your classes. Your generosity, insight and gracious support inspires me in so many ways. Not just as a writer but more importantly as a person with desires to live genuinely. Thank you so much! I look forward to learning from you again… Read more “Levin Lee”
“Professor Horowitz offers amazing insights and tools to keep the writer focused, disciplined and thinking out the box.”
“In 2011 I heard Marilyn speak and she massively influenced me during her talk. I then went to meet with her and she help me and worked on the book I was writing. Not only was my book published by Wiley Publishing House giving me a cash advance, but it… Read more “Sam Cawthorn, Motivational Success Coach”
“Marilyn Horowitz, full-time writer, producer and script doctor conceived this step-by-step programme that will genuinely get your first script completed.”
“For over a decade I have been recommending Marilyn to anyone with the intention of writing a screenplay (or a book or a memoir or…). Her 10-week workbook is one of the clearest and most-efficient methods around. I have used it in my own work both as a teacher and… Read more “Michael Zam, Emmy Nominated Writer (Feud)”
“Rather than bringing yet another set of theoretical tools to the table, she leads the student to the living tools already within us.”
“Marilyn Horowitz is a multi-tasking rock star. Whether giving advice, coaching writers or teaching classes, she goes big. Like her new novel, The Book of Zev, which we have the privilege of publishing in December. The book is big. Zev is big. Marilyn is …. not as big as Zev!… Read more “John Köehler, publisher at Köehler Books”
“It was my pleasure meeting with you at Author 101 University…You have impacted many authors and so many told me of your success. I would love to have you on my radio show and to promote the people who you are training.”
“Marilyn helped me turn my raw first draft into a marketable screenplay that I ultimately produced starring Vanessa Williams and Eartha Kitt and was sold to Warner Bros.”
“MH is the best. Scriptwriting is tedious to perform but she has brought me and many others to a certain place with four common questions…I would like to say that when I started off with the idea of writing screenplay, I totally had no idea what it looks like at… Read more “Edu O.”
“I really don’t think I’d be writing today if it wasn’t for Marilyn and the way she’s taught me. Her methods, her 12-step map and really everything I’ve been learning from her in the five years I’ve been studying with her, it’s really made me into the writer that I… Read more “Nick B.”
“I’m just stoked to have known Marilyn, studied in her classes and I think she’s just a ‘given’ in my telephone book now.”
“Marilyn helped take a story that’s been in my head for 20 years and actually get it on paper. What she does that I think is really exciting is she provides you with a structure that I think enables you to actually connect personally with your story to make it… Read more “Cooper W.”
“Marilyn— I thank you for your help. Your system for storytelling, along with the process of outlining, has enabled me to organize my thoughts and proceed to a finished initial draft, which is the single hardest hurdle in the writing process at least as far as I’m concerned.”
“When I started reading The Four Magic Questions of Screenwriting, I couldn’t put it down. The book is easy to understand and gets right to the point. Marilyn encourages you to write and keep on writing. This book is a must have for screenwriters at any level. I have read… Read more “Kristen”
“I am working through the outline for my screenplay adaptation of “Great Falls, Virginia!” Very happy with the way it’s coming along. And yes, your input was helpful in structuring it – emotionally. I am finding it much easier to decide what scenes are necessary and can stand alone, what… Read more “Kristi K”
“The pitching advice you gave me in your ‘Writing Villain First’ class helped me secure an actual request for my script… Later, at our script consultation, your observations concerning my screenplay conclusion confirmed doubts I had been having, and your suggestions for remedying the problem were astute and on-target. These… Read more “Rich”
“HOROWITZ IS A ROCK STAR!!!”
Episode Boot Camp: Write Your Half-Hour TV Pilot in Six Weeks
In this accelerated class, you’ll execute or revise a half-hour show using Marilyn’s fool proof method for structuring a story. A great pilot begins with a memorable main character, an unusual setting, a great story, and a strong supporting cast. I will review your story ideas before class begins.Click here to learn more!
From Idea to Concept
Were you unable to attend my recent NYWIFT seminar? I am excited to be offering the seminar in digital format.Click here to learn more!
How To Write The Perfect Pilot in 30 Days
In this practical workshop, Marilyn will discuss the elements that make up a perfect half-hour pilot.Click here to learn more!
Happy Saturday! I love the cool fall weather, how about you? In my NYU class, all students are on schedule and are writing Act II, Part 2. The most efficient way of building this section of a screenplay is: Identify the levels in Act 1 for your own story. For example, in the film, The Wizard of Oz, Dorothy’s Inner Level of Conflict is her powerlessness over her own life, The External Level of Conflict is when Miss Gulch takes Toto, intending to put him to sleep. When Toto escapes,
Happy Friday and belated Halloween! Halloween is a favorite holiday, and my friend Lisa Okochi, a wellness coach and tango dancer and I competed in the All Night Milonga for best costume and won as “Double Trouble.” The way we chose the costume would make a fun exercise to dig into the psyche of a current character you’re working with in a story. For example, one of my colleagues wore ordinary clothes and a baseball cap with a patch on the front that read, “This is my costume", and
Happy Friday! This week I worked on two projects, one a novel, and the other a TV script. Both projects had the identical problems, and I’ve seen them many times — a chunky, incomplete draft full of flat scenes, weak dialogue and story logic mistakes. There’s no reason to write a first draft this way. Here’s the solution: prepare! Neither of my students prepared an outline of the whole story. Nor did they write a treatment or any kind of summary that went from the beginning to the end