According to Constantine Stanislavski, subtext is the deeper and usually repressed meanings hidden in the hero’s or heroine’s dialogue and actions. It is what a character really feels, whether orRead More
constantin stanislavski
WRITING THE SCREENPLAY (part two): How to Create Action and Using the Magic "If"
To create a more active story, we can borrow a technique from the acting teacher Constantin Stanislavski, who developed a unique system for actors, so that they could achieve aRead More
WRITING THE SCREENPLAY (part two): How to Create Action and Using the Magic “If”
To create a more active story, we can borrow a technique from the acting teacher Constantin Stanislavski, who developed a unique system for actors, so that they could achieve aRead More