According to Constantine Stanislavski, subtext is the deeper and usually repressed meanings hidden in the hero’s or heroine’s dialogue and actions. It is what a character really feels, whether orRead More
the fugitive
WRITING THE SCREENPLAY (part two): How to Create Action and Using the Magic “If”
To create a more active story, we can borrow a technique from the acting teacher Constantin Stanislavski, who developed a unique system for actors, so that they could achieve aRead More
WRITING THE SCREENPLAY (part two): How to Create Action and Using the Magic "If"
To create a more active story, we can borrow a technique from the acting teacher Constantin Stanislavski, who developed a unique system for actors, so that they could achieve aRead More
The Three-Act Structure
In an earlier post, I touched on the three-act structure, but many of you have asked that I go into more detail on the subject. The whole discussion of plottingRead More
