Sometimes the stories behind the scripts are even better than the scripts themselves. http://www.movieline.com/2009/06/peter-chiarelli.php
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WRITING THE SCREENPLAY (part two): How to Create Action and Using the Magic “If”
To create a more active story, we can borrow a technique from the acting teacher Constantin Stanislavski, who developed a unique system for actors, so that they could achieve aRead More
WRITING THE SCREENPLAY (part two): How to Create Action and Using the Magic "If"
To create a more active story, we can borrow a technique from the acting teacher Constantin Stanislavski, who developed a unique system for actors, so that they could achieve aRead More
SCRIPT TIP: How to Cross the Act II Threshold
The following script tip was originally published at movieoutline.com Many of my students say that the hardest part of writing a screenplay is getting the characters out of Act 1Read More
